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Before the World Sleeps

18 tracks

duration ~ 50 minutes

An album of music for piano performed by Miranda Wong
Release: November 15, 2024

 

Much of the inspiration behind the music in Before the World Sleeps is rooted in the overwhelming sense that the world continues to be on a steady course toward ecological, political, and technological disaster. As the expanding rift between human experience and political reality becomes the norm, I have begun considering more deeply, that the end of human existence is perhaps more of an inevitable outcome rather than a possibility. I'm no longer feeling like investing my time in having an unrealistic hope about an un-knowable future, and subsequently, I wanted to re-think my process as a composer and find a new way of generating meaning while in the act of creating music, and find a way to embrace the lack of certainty for the time beyond the present day.

I made the decision to create this album during the fall of 2023, wanting to spend the following year writing and organizing music for piano from within this context—using some sort of post-hope perspective—where there was no assumption of control, or even an expectation of having a long-term future. The goal was not to celebrate feelings of despair or calamity and to come up with music filled with ideas about the end of the world and humanity's demise, but rather, it was to reorient the compositional process to create small pieces of music that I could finish quickly, and using an archiver's mindset, commit them to a recording rather than prepare them for public performance.

 

Although at this particular point in time, it seems that life is being defined as having an inherent loss of meaning and a pervasive existential anxiety, for me, locating the value and meaning in composition felt like a useful way of spending a few months concerned with the experience of the here and the now. Composing this music for Miranda felt like I was engaging in an act of preservation rather than an act of self-expression. And upon completion, the 18 compositions included in this album were organized into four main "chapters" that I consider to be germane concepts to writing music during this period of human existence: narrative, memory, colour, and weather.

These evocative piano miniatures are both haunting and alluring. The suite is Satie-esque in its apparent sparsity and simplicity but one can’t help but be drawn into its beautiful strange soundworld.

-Les Dala

Conductor / Pianist / Music Director | Vancouver Bach Choir

-Frédéric Cardin

Le média numérique de la musique - PAN M 360

-MEANS Magazine

November 2024 Roundup

ALBUM TRACK LIST

Chapter 1 — A Council of Apparitions

I. Zaloasymphnesis

II. Castle Keep

III. Two Worlds

Chapter 2 — Memory, I often think of you as time ash...

I. A New Culture of Nostalgia

II. The Feeling of Forgetting

III. Lessons for Oblivion

IV. Phantom Étude

Chapter 3 — Colours

I. Fuchsia

II. Marigold

III. Aegean

IV. Wheelbarrow Red

V. Absinthe

Chapter 3 — Little Ice Age

I. The Cold Gathers

II. Ice Gods Don't Keep

III. The Introvert

IV. Prayer to a Vanishing Sun

V. Snow Dirge

VI. The Last Hymn

ALBUM CREDITS

Miranda Wong Pianist

Alfredo Santa Ana Composer

Mark Takeshi McGregor Producer

Don Harder Recording Engineer & Editor

Nick Storring Publicity

Scott Harker Piano Technician

Robert Darch HippoSonic Studio

Piano by Yamaha Corp. | C7 #B2690561 | Made in Hamamatsu, Japan in 1978

ASA Records (ASA05) | Redshift Records (TK555)

November 15, 2024

Edited Image 2015-8-10-18:51:6

This recording was made possible through the financial assistance of the Canada Council for the Arts.

ALBUM PROMO VIDEOS

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